Monday, May 27, 2013

What Memorial Day Makes Me Think Of...



The picture above is my father Richard Troshak. He was the son of an immigrant, who spent much of his youth in an orphanage. Before he was old enough to drink, the pic you see above was snapped and he was in Germany serving the United States Army in World War II. He also served a few years later in the Korean War. He passed away in 2009, after a long successful life and marriage and having helped raised myself and my two siblings with my mom. I felt a need to talk about him and his brothers and sisters in the military, as I cleaned out an email-box full of "Memorial Day Sale" messages and watched the local news. Apparently the most important thing we need to know about the holiday is that there are a lot of people on the beach at the Jersey Shore and the water is fine, so jump in.

Memorial Day is a U.S. holiday that was created as a day to give respect to the people who gave their lives in the cause of keeping the country free. You might not agree with the political parties or the president or whatever, but the reality is that the U.S. has it pretty good compared to a lot of other places. There will always be ways things can be better, but we always have a chance to make them better because of the sacrifices of a lot of brave and selfless people. If my dad were here he would have  probably scowled at the TV like I did, and thought about the people that he trained with and served with that didn’t come back. Like me he probably would have wondered if we had lost sight of the fact that since World War I over six hundred thousand Americans have died as a result of actions classified as war. That’s over six hundred thousand loved ones who gave the ultimate sacrifice so that we could be free to worry about the water temperature at the beach and whose house we are going to for a barbecue on Monday. 

Earlier this year I covered a concert by the group Flogging Molly for Phawker.com. I had never seen them and I had always connected them with my dad, although he probably never heard a note they played while he was alive. I took dad to his first concert, when he was seventy years old, to see Johnny Cash at the Keswick Theatre. Cash was on tour for his first American Recordings album and it was a magical performance. Dad bought me a vinyl copy of that album from the merchandise stand at the show that is a prized possession of mine. The singer of Flogging Molly, Dave King, is an immigrant from strife torn Ireland who has written a lot of songs about his father and family. The song that always makes me think of my dad is one that King dedicated to his dad (who coincidentally bought him his first Johnny Cash record) called “What’s Left Of The Flag.” It is the story of a father who with his dying breath still believes in freedom and loves his country, no matter how rough it's history has been. I am listening to it right now thinking about how lucky I was to have my dad for so long and about all those people who weren’t as lucky as me. I am not trying to ruin your picnic, so fire up the grill. I am asking you to not lose sight of why this day was originally set aside as a holiday. Take a moment Monday to think about all the people who weren’t lucky enough to keep their loved one as long as I was, and to thank them for their sacrifices and your freedom. 












Thursday, April 18, 2013

Black Out The Sun Tour

Electric Factory
Philadelphia, PA
04/18/13

It’s early in the music tour and festival season, but Sevendust has hit the road in support of their Black Out The Sun album with one of the strongest and most intriguing line-ups that will be seen this year. Their partners in crime – Stolen Babies, Lacuna Coil and Coal Chamber.

Stolen Babies, Copyright Pete Troshak

First up were the spooky cabaret stylings of Stolen Babies. The group proved that hard rock and accordion can be fused together to create something dark and beautiful with an entertaining seven song set. Singer Dominique Persi was memorable, performing like an eerie and damaged but beautiful Tim Burton character. She alternated between eerily cooing and screaming into the mic while pumping away on the bellows of her accordion. Behind her creepy organs swirled and guitars riffed along to crazy twisted carnival music tempos.

See my Stolen Babies pics here

Stolen Babies Setlist:

Never Come Back -Splatter - Push Button - Filistata - Mousefood - Tablescrap - Spill

Cristina from Lacuna Coil, Copyright Pete Troshak

Next up was Lacuna Coil. They are the Ferrari of music – a sleek, Italian finely tuned precision metal machine. Clad in black jumpsuits echoing the Dharma Initiative on Lost, they took no prisoners with a set-list powerful enough to convert any non- believers. They drew most of their set from 2012’s excellent Dark Adrenaline, kicking off with a thundering “I Don’t Believe in Tomorrow” followed by a chiming and hard driving “Kill The Light.” Cristina Scabbia’s beautiful vocals soared, swooped and were contrasted and complemented by Andrea Ferro’s raw anguished singing. Together they blasted out Lacuna’s archetypal tales of lost love and darkness while their band-mates delivered sheets of sonic darkness and riffage. They ended their set with three songs that were the highlight of the night – a hammering “Intoxicated,” a roller-coaster “Trip The Darkness” and supercharged closer “Spellbound.”

See my Lacuna Coil pics here

Lacuna Coil Setlist:

I Don’t Believe in Tomorrow
Kill the Light
To the Edge
Upsidedown
Fragile
Survive
Intoxicated
Trip the Darkness
Spellbound

Coal Chamber apparently is not allowing photographers to shoot them on this tour, but despite a decade long absence from the music scene they were in fine form. They took the stage to the chilling piano theme  from John Carpenter’s “Halloween” and put on a frighteningly good show. Singer Dez Fafara paced the stage barking boldly into an old radio show style mic with a glowing green light in it while guitarist Meegs Rascón prowled from side to side of the stage dropping heavy riff after heavy riff. The foundation for their music has always been the low end – the down tuned heavy-like-concrete guitar riffs of Rascon over a locked in chugging engine of a rhythm section that sounds like a runaway train. This is still the strength of the band with Mikey Cox’s precise pounding of his drums and new bass player Chela Rhea Harper ably filling the big boots left behind in the absence of original bass player Rayna Foss. Harper was a sight on the stage – long dark hair flailing and flipping as she spent most of the set bent over and headbanging while laying groovy and powerful basslines. The group ended the set in the crowd – hugging, crowd surfing and joyful leaving fans hopeful for more music from this quartet.

Setlist:

Loco
Big Truck
Fiend
Rowboat
Something Told Me
Clock
Drove
Not Living
Dark Days
I
No Home
Oddity
Sway

Sevendust, copyright Pete Troshak

 Anticipation hung thick in the air and the crowd buzzed anxiously during what felt like a long wait for main-eventers Sevendust. The wait was immediately forgotten when the band arrived and launched into the powerful new “Decay” from Black Out The Sun. The tone for their set was established with the third song they played; a loud defiant rendition of “Denial” that shook the old factory and the whole block it sat on. The band has carved out an almost twenty year career built on pounding rhythms, industrial strength riffs and the passionate angry vocals of Lajon Witherspoon. Witherspoon stalked the stage with a molten intensity, tearing into an assortment of wrong-doing lovers and friends and singing like every song might be his last. Behind Witherspoon the band, all original members, raged loud. Bass player Vince Hornsby and drummer Morgan Rose were locked in and loud laying down a rock hard foundation while guitarists Clint Lowery and John Connolly wailed and riffed over them. There were highlights from every era of the band. One standout was the relentless, hardcore “Till Death” from their new album. It might the band’s most aggressive song ever and their punky version of it this night left the crowd’s ears ringing. Later in the set they paid tribute to their memorable debut album with two songs. First came “Bitch,” which started out as gentle crowd sing-along then developed into a thrashing set highlight. Soon after came the stuttering siren call riff of their debut song “Black.” That riff brought a roar from the crowd and signaled that that night was almost over.  Witherspoon roared and the band pounding out the song like it was just written, delivering it with the same intensity they do their new material. Some good things don’t ever change, and thankfully Sevendust is one of them.

See my Sevendust pics here

Setlist:

Decay
Praise
Denial
Till Death
Waffle
Strong Arm Broken
Rumble Fish
Bitch
Pieces
Black

Encore:
Splinter
Face to Face

Thursday, February 14, 2013

Testament @ The Trocadero Theatre



Chuck Billy of Testament, Copyright Pete Troshak


Trocadero Theater
Philadelphia, PA
2/13/13

On tour celebrating 2012's excellent Dark Roots of The Earth album and almost 30 years of existance, Testament rolled into Philadelphia's Trocadero Theatre on Valentine's Day Eve. It was a dark and stormy night, with threat of a snowstorm looming over the city - in other words the perfect atmosphere for the arrival of one of the loudest most uncompromising and legendary metal groups ever to play. The band arrived to a roar from the packed house and immediately displayed that they are still vital and powerful by unleashing four explosive numbers from their current album in the first six songs - "Rise Up," "Native Blood," "True American Hate," and "Dark Roots of the Earth." Each of those songs stand with the best that they have ever recorded and live they are pure Testament - shuddering riffs, thundering drumming, blistering solos, bad attitude and singer Chuck Billy's angry growling and howling. At that point the band turned back the hands of time and unleashed "Into The Pit" driving the crowd into more of a frenzy and kicking off the second half of the show. Soon after came more hightlights - the rolling waves of riffs of the rarely played "Riding The Snake" and the slow burn punky "Trial By Fire." They followed that with an explosive hardcore "The Haunting" from their debut album and finished a few songs later with a ceiling rattling version of "The Formation of Damnation," then sending the crowd out into a snowy night full of the fire of metal.

See more Testament pics here.


Setlist:

Rise Up
More Than Meets the Eye
Burnt Offerings
Native Blood
True American Hate
Dark Roots of Earth
Into the Pit
Practice What You Preach
Riding the Snake
Eyes of Wrath
Trial By Fire
The Haunting
The New Order
D.N.R. (Do Not Resuscitate)
3 Days in Darkness
The Formation of Damnation